![]() ![]() It’s a convertible balaclava that can be transformed into a cap when you roll the lower part up. The Untold Balaclava is made from acrylic and weighs 51 g. These ski-touring gloves will keep you warm when you’re skinning up and shed the powder on your turns down. The Extravert Gloves have a stretch nylon shell outer, a durable goat leather palm with textured fingertips and a warm wool lining. The dexterity was good in these and with removable liners you’re able to dry them in your quilt during the night. Made from Windstopper the shell gloves are windproof and water-resistant while the warm, removable wool blend liners keep your fingers toasty. The indoor test the glove mastered without difficulties as you can see above. The Luminary Sensor Glove is an alpine climbing and skiing glove that allows you to take Instagram photos without taking the gloves off. I do like OR’s TorsoFlo™ technology which are hem-to-bicep side zips that offer ventilation when the going gets steep. It has a Standard Fit and is 535 g light and is made for your alpine adventures where it will keep you dry, warm and protected in case the weather turns nasty. The Furio Jacket uses the new Gore-Tex® C-Knit fabric in the shoulders, hood and hip, Paclite in the rest of the jacket and is fully seam taped. The Men’s Uberlayer is 563 g in Size L, the Women’s is 472 in Size M. There’s plenty of pockets on the Uberlayer, a helmet-compatible hood and the shell is also wind and water resistant. It has a stretch mesh lining which wicks sweat quickly away form your baselayer, where it meets on the Polartec Alpha insulation which further transports it to the outside. The Uberlayer Hooded Jacket (the blue on on the left) on the other hand trusts Polartec Alpha insulation completely to keep you warm, but not too hot. All that is under a Pertex® Endurance 2L shell where the Primaloft is and the down is protected by Pertex® Quantum. The latter is on the shoulders, hood, top of the sleeves and hips - areas which usually get more wet - while the core is filled with warm down to keep your torso toasty. A jacket made with Body Mapping technology it uses DWR-treated down and Primaloft Gold. The ISPO 2015 gear bonanza continues with sweet new hardware and soft goods for backpackers, climbers, skiers and hikers!Īt Outdoor Research a whole lotta new gear was to be tried on and tested indoors, like the M’s Diode Hooded Jacket up there. ![]()
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![]() The I/O of the 44M and 48M, which are our usual go-to amplifiers, worked fine for the rest of the system. We chose two 88C amps because they have eight channels each, which gave us the ability to have different settings for every box. “In the second balcony we’ve got six boxes on the lighting grid and another six boxes on an advanced bar, and they’ve each got different EQ, time alignment, and limiting. “The Apex is a three-tiered venue, and it’s quite tricky getting even dispersion everywhere,” he explained. Edmonds, Elliott recently replaced their old amplifiers with two Linea 88Cs, one 48M, and a 44M. And the Linea amps are extremely reliable, but if a client does have an issue, I can see when they had voltage spikes or anything like that and figure out what happened.”Īt Apex, a local venue in Bury St. You don’t hear them working it’s absolutely stunning. “And we never run out of headroom I’ve seen the limiters come on now and then but you can push and push, and it stays clean all the way up. “There’s so much you can do with the M series’ built-in DSP limiters and virtual crossover,” he observed. He uses his older Linea Research XiB amplifiers on drum fills, bridging channel 1 and 2 to drive a sub and using channels 3 and 4 to drive a bi-amped wedge. It shaved a colossal amount off our trucking.”Įlliot typically chooses Linea Research 48Ms to drive bi-amped stage wedges and picks Linea 44M20s for front-of-house. Now we can do that with one Linea 48M that weighs 12.5 kg, and we’ve gone from 14U to 2U. We used to run 4U amplifiers that weighed 35 kg each by the time we added crossovers, one amp rack would be 14 rack units and weigh 150 kilos. “The new Linea Research amplifiers save us a lot of rack space and weight. “We do mostly loud rock shows, and it demands a lot of power,” he offered. Everybody’s blown away by it every single time.”Īlthough Elliott has long favored Martin Audio loudspeakers, he has tried an assortment of power amplifiers over the years before settling on Linea Research. “We plug them into new Linea Research 44M or 48M or 88C power amplifiers and they sound amazing The clarity is phenomenal. “I’ve got Martin Audio products that go back to the 1980s and 1990s,” he reported. ![]() ![]() A typical Pyramid Audio sound system combines classic Martin Audio loudspeakers with state-of-the-art Linea Research power amplifiers. ![]() With more than three decades as a touring engineer and heading up his sound company, Pyramid Audio, Ian “Fleece” Elliott is well versed in the value of both vintage and contemporary technology. ![]() ![]() ![]() New equation numbering and browse features work with all Word equation types. 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MathType is a powerful interactive equation editor for Windows and Macintosh that lets you create mathematical notation for word processing, web pages, desktop publishing, presentations, elearning, and for TeX, LaTeX, and MathML documents. ![]() ![]() ![]() It means that when it finally comes to my longer 30 minute break – obviously spent watching TV back in bed – I feel less lazy and guilty about my lack of domesticity. Knowing I’m in the final stretch, I settle in for a bit of life admin, finally replying to those missed personal emails and WhatsApps, filing and writing personal to-do lists. The third pomodoro brings the bathroom deep clean, followed by mopping, which leaves me thankful for my five minutes lying face down on my sofa. Use the extension to break down your work into 25 minute Tomato intervals separated by short breaks. I do another 25 on dusting and hoovering, making the bed and plumping cushions – before I allow myself a break spent dancing along to the radio, using the feather duster as a microphone. Tomato Clock is a simple browser extension for managing your productivity. I spend 25 minutes on washing dishes, clothes, bedding, myself – followed by five minutes drinking tea and scrolling through Instagram. It means, on the weekend, when I need to tidy but all I want to do is blob, I turn to my trusty friend. ![]() ![]() While I love organisation, I am an actively messy person and I hate cleaning. It gives me a sense of control and makes the mountain of work ahead seem more manageableĪnd I don’t just use it at work, either. Then, when the five minute break rolls round, I’ll use it to catch up on those missed Slacks or urgent emails, before plugging back in for the next pomodoro. When the clock starts counting down, I’ll close my work Slack, WhatsApp, emails – anything that gives off pinging notifications that could break my focus, and instead I keep my mind specifically on the issue at hand. ![]() ![]() ![]() ![]() Octa-core Qualcomm Snapdragon 845 processor (2.8GHz + 1.7GHz), or Octa-core Samsung Exynos 9810 (2.7 GHz + 1. But the Pixel 3's battery lasts longer, and I do prefer its camera over the V40, despite the latter phone's versatility.Ħ.4-inch Super AMOLED 2,960x1,440 pixelsĦ.5-inch Super Retina OLED 2,688x1,242 pixelsġ2-megapixel wide-angle, 12-megapixel telephotoġ6-megapixel standard, 20-megapixel telephotoġ2-megapixel standard, 12-megapixel telephotoġ2-megapixel standard, 16-megapixel wide-angle and 12-megapixel telephotoĨ-megapixel standard, 8-megapixel wide-angleĨ-megapixel standard, 5-megapixel wide-angle Plus, it has the same wide-angle camera features on the front as Google's phone, but with an additional wide-angle camera on the back. LG V40: The V40 is a solid choice if you want a built-in headphone port and external memory for about the same price as the Pixel 3 XL. (For a deeper dive, check out CNET's Pixel 3 vs. However, it's not that closely integrated with Google's ecosystem and I prefer the Pixel 3 XL's camera and the way it punches up colors. ![]() Plus, the 256GB model of the iPhone XS Max costs $1,249 (£1,249, AU$2,049), and gives you more for your money than the Pixel 3 XL in terms of storage. But it does offer FaceID for unlocking the screen and digital payments. iPhone XS Max: The iPhone XS Max doesn't have expandable storage or a headphone jack like the Pixel 3 XL. But the 6T is a superb, more affordable, alternative given that both phones come with the same processor and a barely skinned version of Android Pie out of the box. Weve gathered more than 5 Million Images uploaded by our users and sorted them by the most popular ones. Fix: Google Pixel 3 XL Not Turning On After Charging Fresh Rooting Starting from November Patch Step-1 Begin by installing the November update Step-2 Download latest Magisk Beta (17.3) and Step-3 move it to the internal storage of the device Step-4 Reboot the device to bootloader Step-5 Download the TWRP for Pixel 3XL from above. OnePlus 6T: If you can afford the Pixel 3 XL, you'll get a superior camera and prompt updates as they roll out from Google. Explore a curated colection of Infinite Wallpaper Images for your Desktop, Mobile and Tablet screens. On top of that, it comes with an embedded S Pen stylus, adding more productivity and software goodies than the Pixel 3 XL. It has monster battery life, a headphone jack and expandable memory. Galaxy Note 9: Though I like the Pixel 3's camera over the Galaxy Note 9 at times, Samsung's phone has a lot of things going for it. And while I consider the Pixel 3 XL more than an "incremental" update, plus it hasn't been exhibiting the same burn-in issues that I noticed last year, it's safe to hold onto your Pixel 2 and wait out for the next update. The Pixel 2 XL will also be in line to get some of the updates that the Pixel 3 XL has, like Call Screen. Pixel 2 X L: If you're holding on to last year's Pixel, know that you still have a great phone and a powerful camera in your pocket. From left to right: The Note 9, Pixel 3 XL and iPhone XS Max. ![]() ![]() Through the notion of the queue Ondák could be said to explore simultaneously the fluctuation between personal time (‘real’ time) and social time (time spent in the queue), past (memories of queuing) and present (actual queuing) and lived experience (being in the queue) and imagined experience (imagining the effects of queuing).įurther reading Max Andrews, ‘Why Are We Waiting?’, TATE ETC., no.5, Autumn 2005,, accessed 17 March 2009. (Ondák in conversation with the author, 16 October 2004.) Also, on your own you think about your time – what I call ‘real time’ – which has its own value but when you go in the queue, you slow down and the time is different. ![]() There is no description of the queue – it is about feelings, about desire and your decision to be in it, and I like this ambiguity of the queue in our society. ![]() I became interested in the phenomenon of the queue because it is very unstable, but on the other hand it shows a very strong sense of participation … even if you are not queuing, you are participating as you are facing your memories of queues in the past. Re-enacted in Tate Modern, the queue may be understood as drawing attention to the various functions of the institution, or simply giving the artist the platform from which to explore certain larger issues related to queuing that interest him. Inspired by the artist’s own memories of the long lines formed outside grocery shops in his native Slovakia in the communist era (Ondák quoted in Andrews), the work probably took on a different meaning at the Frieze Art Fair, where the London location and the busy atmosphere may have evoked more the quintessentially British habit of queuing and the daily suffering of the city’s commuters due to long waits (Anna Colin, Do Not Interrupt Your Activities, exhibition catalogue, Royal College of Art, London 2005, p.69). Thus, the work can acquire different connotations depending on the space and time of its enactment. Queuing, although a common social activity, is also historically, culturally and, ultimately, behaviourally-contingent. The queue was afterwards re-enacted at the 2004 Frieze Art Fair in London, where it was purchased by Tate. Good Feelings in Good Times was first presented outside the Kölnischer Kunstverein in Cologne, Germany in 2003. The forty-minute performances may be repeated several times during the day, with twenty-minute breaks in between sessions for the participants to rest, unseen by the general public. Typically, within a forty-minute period of performing, the queue will form, dissolve and form again a few times, with the participants behaving inconspicuously and as naturally as possible. The queue is re-enacted repeatedly during the day according to a schedule agreed between the artist and the museum, at set times and spots around the building. If questioned by onlookers, they are not allowed to divulge anything about the performance they are instead encouraged to improvise as if they were in a real-life situation. They are not required to wear special clothes, but are asked to dress to suit the situation, to hold personal props and look like ordinary people queuing as if waiting for something to happen. Participants of Good Feelings in Good Times are either volunteers or actors hired by the museum and there is no restriction as to their age or gender. It can be re-enacted either indoors with a minimum of seven and a maximum of twelve people, or outdoors with a maximum of fifteen people. It is formed in front of a spot where it would make sense for a queue to form, or, for an enhancement of its effects, in front of slightly unexpected but not totally irrelevant spots. The queue is always part of an exhibition and is created in or around an exhibition space. It is intended to be performed inside the museum, but can also be adapted to other spaces. ![]() Good Feelings in Good Times is an artificially created queue. ![]() ![]() ![]() The free plan includes password security without syncing across devices, password sharing, emergency access, or dark web monitoring. Sticky Password offers free and premium plans. Portable device backup: You can take Sticky Password with you using a USB-based edition that does not auto-sync with other devices.But I had to download Sticky Password from the Chrome Store to enable Sticky Password on Chrome. ![]() Browser integration: When the browser extension is enabled, Sticky Password automatically detects which one you use and imports stored data.Manages application passwords: You can add applications manually or sync across devices.However, other best free password managers do not charge for this. Free 30-day trial for the premium plan: You can test the more feature-rich version of Sticky Password to experience its cross-device syncing capabilities.The downside is you cannot recover your password. Master password protection: The company uses zero-knowledge security, so it does not store your master password you must sign in with your password every time you launch the app or web version.I didn’t find recent evidence of a data breach. One standout security feature is the option to sync via Wi-Fi instead of the cloud, so data never leaves your devices. cloud-only syncing: Sticky Password uses AES-256 encryption, the global standard. So, if you are concerned about trusting your data to a small company with not much revenue and just a couple of employees, that shouldn’t be a concern with GoTo. It was previously listed on the NASDAQ stock exchange with annual revenue of over $1 billion. In October 2015, the company was acquired by GoTo (formerly LogMeIn Inc.), one of the leading software as a service (SaaS) companies in the world.įounded almost two decades ago in Budapest (Hungary), GoTo is now a private company with headquarters in the USA. ![]() Launched in August 2008 in Boston (Massachusetts, the USA), LastPass has been providing password identity management solutions ever since. But first, let’s go through some background information that will help you decide if you should read further. Note: We’ll cover the other versions of LastPass and their additional features a bit later in this review. Seek customer support from self-service options.Securely share your data with those you trust.Store passwords, secure notes, addresses, credit card info, and bank accounts.Automatically sync passwords across all your devices.Access your vault with LastPass Authenticator.Nevertheless, you’ll still have the ability to: If you’re planning to make use of LastPass’s free plan, you’ll have access to a somewhat limited set of features. 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So, to help you stay on the safe side, we’re also going to dive deep into the history and security of LastPass while scrutinizing the previous data breaches that set alarm bells ringing among the users. However, the infamous 2015 data breach and more recent security incidents are likely to raise a few red flags. With military-grade encryption, a “zero-knowledge” policy, two-factor authentication (2FA), mobile biometric login, and regular third-party audits, LastPass seems to stand strong on security. It’s also one of the most popular password managers out there, but does it still stand out among similarly-priced competitors? This is one of the questions we’ll be answering in this in-depth LastPass review. LastPass is simple to use, stuffed with superb features, competitively priced, and certainly worth checking out. This LastPass review highlights the Pros and Cons, and also shows you some great alternatives. LastPass has long been a popular password manager – but it has recently suffered (another) serious security breach that exposed user data. ![]() ![]() ![]() Resold to De Havillands as museum piece by Jefferson for the same sum of £185 plus a donation of £25 to the RAF Benevolent Fund (as a penalty for failing to preserve the prototype - which was a bit rich, since it had crashed in 1927!) This presumably followed from the DH advert in Flight 26.9.40 wanting to buy an early DH.60 and Gipsy I. Inspected by Air Ministry at Elmdon 30.8.39. Crashed Castle Bromwich 5.2.39 and rebuilt (allegedly with small pieces from prototype) by 4.39. Sold 6.38 for £185 and regd 15.8.38 to John Frederick Jefferson, Dorridge. Retrieved by Richard Shuttleworth and repaired by Warden Aviation Co at Old Warden by 11.37 fitted with Cirrus III. ![]() Forced-landed by owner in field nr Christchurch 31.8.37 and badly damaged. Regd 3.8.34 to Clifford Ogle, based Barton. Regd 11.32 to Melville W Allenby, Wilmington. Regd 5.32 to The Hon Brian Lewis, t/a Brian Lewis & Co, Heston. 31 by Stan Lupton & Stuart "Stiffy" Ashton, Broxbourne for proposed flight to Australia, starting 30.10.31 plans abandoned after aircraft damaged in gales Broxbourne and sold. Regd 9.29 to James E Glenny, Hawick, Scotland. Sold 2.29 to Cyril WR Gleeson, Killaloe, Co Clare. Regd 23.7.28 to Kenneth Twemlow, Woodford. Badly damaged in crash when it overturned on forced landing in The Pennines 18.2.28 repaired. Damaged and fully rebuilt by LAC at Woodford sold 10.27 and regd 20.12.27 to John A Anderson, Woodford. 188 DH.60 regd G-EBLV 22.6.25 to Light Planes (Lancashire) Ltd, t/a Lancashire Aero Club, Woodford. Hit hedge on landing Stag Lane 8.1.26 and w/off. 187 DH.60 regd G-EBLU 22.6.25 to The London Aero Club Ltd, Stag Lane. Probably destroyed in hangar fire Witney 27.10.36 (arson). ![]() Operated 1.35 (but not regd) by Witney & Oxford Aero Club. Regd 9.7.34 to South Wales Airways Ltd, Wenvoe. Sold and delivered 20.4.34 to Brian Lewis & Co Ltd, Heston in part exchange for three DH.60GIIIs. 186 DH.60 regd G-EBLT 22.6.25 to The Midland Aero Club Ltd, Castle Bromwich fleet no.1. Badly damaged in crash following stall turn Sherburn 5.6.26 repaired. 185 DH.60 regd G-EBLS 22.6.25 to The Yorkshire Aeroplane Club Ltd, Roundhay, Leeds/Brough Sherburn wef 1.26. Forced landed with engine failure and crashed into iron fence Hale, Cheshire 11.6.27. Reported as dd Woodford 21.7.25 by Alan Cobham. 184 DH.60 regd G-EBLR 22.6.25 to Light Planes (Lancashire) Ltd, t/a Lancashire Aero Club, Woodford. Spun in & crashed Stanmore whilst landing Stag Lane 9.10.27 pilot Charles Swan killed. Damaged on landing Stag Lane 10.26 repaired. 170-182 Serials used for 12 rebuilt DH.9s and DH.56 J7780 CIRRUS I production Moths 183 DH.60 regd G-EBLI 29.5.25 to The London Aero Club Ltd, Stag Lane. Struck overhead wires on landing Lahore 2.4.27 and overturned Bernard Leete and Lady Hailey (wife of Governor of the Punjab) slightly hurt. Departed for Lahore 15.2.27 arrived 3.27 and used in Punjab for experience flights. Re-engined with Cirrus II and regd 6.11.26 to Bernard MTS Leete, who departed Stag Lane 15.11.26 en route India (in company with T Neville Stack in G-EBMO) arrived Karachi 8.1.27. Company demonstrator and also used by DH School of Flying. Came in 4th in following day's Croydon Stakes, flown by Capt WL Hope. ![]() Flown in Kings Cup Air Race by Capt Geoffrey de Havilland 3.7.25 and retired (as G- EBKT) in bad weather nr St Albans. 169 DH.60 (Cirrus I) regd G-EBKU 10.2.25 to The De Havilland Aircraft Co Ltd, Stag Lane. Spun in and crashed Dennis Lane, Stanmore, Middlesex 21.8.27 P/O Stanley Pritchard-Barrett & wife injured. Private entry by Mrs Elliott-Lynn in Paris Concours d'Avions Economiques 8.26 entry no.1 - came 7th of 8! Sold and dd 10.1.27 and regd 4.2.27 to The London Aero Club Ltd, Stag Lane (to replace G-EBNP). Sold 3.26 and regd 17.4.26 to Mrs Sophie C Elliott-Lynn & Norman H Jones, Stag Lane. Used as company demonstrator and by DH School of Flying. Flown following day in "compensatory" shorter distance "Croydon Stakes" over 523 miles and came in 2nd (of 5) at 87.3 mph. Flown in Kings Cup Air Race by Cobham 3.7.25 (entered by Sir Charles Wakefield of Castrol) departed Croydon but retired nr St Albans in bad weather. Flown by Alan Cobham non-stop from Croydon to Zurich and back 29.5.25 in 13 hrs 49 min flying time - at average speed of 74.5 mph and fuel cost of £4.60 (apparantly before issue of CofA). First flown by Capt Geoffrey de Havilland 22.2.25 without markings but exhibited to press fully painted at Stag Lane 2.3.25. 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